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Who controls our data, personal sovereignty, and political freedom? Answers are offered by the art-research  project and an international group exhibition DATAS: The Data and the Sovereign, in which Czech and international artists explore, through their works, how computing technologies, AI, automation, and digital infrastructures undermine personal and state sovereignty. Curated by Lívia Nolasco-Rózsás. 

The DATAS: The Data and the Sovereign project is co-funded by the European Union under the Creative Europe programme.  


Galerie Rudolfinum

DATAS: The Data and the Sovereign

institutions

program

Back in Time

Prague Up Close

Monastery of the Minorites of St. James

It must be the weather

PLATFORMA 15 - Contemporary Art Space

Cezary Poniatowski: Deep House

MeetFactory Gallery

Museum Montanelli

Borsos Lőrinc: The Spectre in the Wedge

MeetFactory - Kostka Gallery

GHMP Troja Château

GHMP Municipal Library of Prague

Municipal Library of Prague

College of Textile Crafts and Secondary School of Textile Arts

Petřín Tower

Petřín Mirror Maze

Museum of Prague Energy

The Battle Between YES and NO

Kunsthalle Praha

Zpěvácký spolek Hlahol v Praze

Vinohradská 12 Gallery

Old Town Hall

Story of Prague

Fragment Gallery

National Museum of Agriculture

Dablice observatory

House of National Minorities

Gallery of Bulgarian Cultural Institute

New Town Hall

Chlupáč Museum of Earth History

Map Collection

Czech National Bank Visitor Centre in Prague

Vyšehrad National Cultural Monument

Gas Museum

Karel Zeman Museum

Villa Rothmayer

Gallery of Science and Art

Tourism is a modern phenomenon whose origins date back to the late 18th century. How much has it changed from its beginnings to the present day? How does it affect people’s daily lives? How are destinations around the world changing as a result of tourism? What are its positives and negatives? And what does the future hold for the travel of 7 billion people across our planet?  
Tourism is a multifaceted phenomenon that today seems self-evident, a natural part of our lives. In reality, however, it is a surprisingly young “invention.” It emerged only at the end of the 18th century alongside the Industrial Revolution, a shift in the perception of time, the development of transportation, bourgeois culture, and new ideas about leisure, health, nature, and romantic experiences. Today, tourism is primarily about the tourists themselves. The history of tourism is not just the history of places, but above all the history of people—of all of us.
The unchecked boom in tourism began in the second half of the 20th century and has gradually brought with it global problems. In this exhibition installation, we aim to illustrate the transformation by which the daring travels of individuals became a mass phenomenon that reshaped the landscape, cities, the human body, and our imagination. We aim to present tourism as a cultural practice, a lifestyle, and a way in which contemporary people seek meaning, beauty, regeneration, adventure—and sometimes even themselves. We seek to address critical issues regarding tourism’s impact on society, nature, cities, and entire countries; its environmental consequences; the issue of overtourism; and the overall unsustainability of this current global situation. 
The exhibition Tourism: Our Luxury, Our Suffering is created in collaboration with Jan Pezda, author of the book Sun, Water, Air. It combines documentary materials, data, and expert information with works of art by contemporary artists.  
Exhibitors: Tereza Bonaventurová, Kateřina Šedá, TIMO, Vladimír Turner, Tomáš Vodňanský 
Curators: Fuczik and Jan Pezda

Tourism: Our Luxury, Our Agony

Gallery Atrium Žižkov

The Second Fire is an immersive look at Lake Baikal in Siberia, the oldest, deepest and most voluminous lake in the world. Authors Gabriela Bulisová and Mark Isaac spent a year in eastern Siberia and created a multifaceted project that places special emphasis on the lake’s environmental problems. They capture the vastness and majesty of the lake, intimate moments of its resilient inhabitants and quirky sites, and the urgent dangers that threaten them.

DATAS: The Data and the Sovereign

Galerie Rudolfinum

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